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the speculative fiction creative Writing domain

The Wizard of Oz

L. Frank Baum's The Wonderful Wizard of Oz exemplifies and helps drive home this point. It's an outstanding example of how and why fiction opens the door for authors who seek to write creatively...because fiction is a hotbed for the imagination.

You may have noticed a cover for the Hollywood film The Wizard of Oz pictured at the top of this page. The movie is possibly the most popular of several film adaptations of L. Frank Baum's original book, The Wonderful Wizard of Oz, which was published in 1900. L. Frank Baum, the author of the book, is pictured at the right.

The Wizard of Oz is a superb example of creative screen writing and The Wonderful Wizard of Oz on which it's based is a superb example of creative book writing.

Baum wrote the original Oz book and almost twenty additional books in the Oz series. His series has inspired countless book and movie adaptations by others, and new adaptations are being produced today, over 100 years later. Baum's works are among the most-adapted works in the lexicon of fantasy.

That's a picture of Frank Baum at the right, below. Notice his eyes.

about Fantasy and fiction

What is fantasy? Fantasy is a fictional genre not unlike the science fiction genre. But unlike science fiction, it uses magic and other supernatural phenomena instead of science as a primary element of plot, theme, or setting. Horror is another genre that's similar to fantasy, one that uses horrific plots, themes, and settings as elements instead of fantasies.

Fantasy writing has been with us for a long time. Witness Homer's Odyssey; witness also the six mechanicals in A Midsummer Night's Dream, the amateur actors controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. Also witness Prospero the magician in The Tempest, as well as other Shakespearean dramas. Witness Christopher Marlowe's play The Tragical History of Doctor Faustus and Edmund Spenser's epic poem and fantastical allegory, The Faerie Queen. And don't overlook Anglo-Saxon myths like Beowulf.

But Fantasy is also very recent and very contemporary, too. Witness Mary Shelly's Frankenstein, J. R. R. Tolkien's The Hobbit and The Lord Of the Rings trilogy, The Chronicles of Narnia by C. S. Lewis, E. R. Eddison's The Worm Ouroboros, Terry Pratchett's Discworld series, and the Harry Potter novels of J. K. Rowling.

And let's not don't forget Dr. Seuss (pen name of Theodor Seuss Geisel). He's usually thought of as a writer of children's books, although his body of work also can be classified as Fantasy.

 

 

Let's face it, Fantasy was and still is one of the best literary genres going.

Let's consider The Wizard of Oz is an example of a movie fantasy; his books The Wonderful Wizard of Oz is an example of prose fantasy.

Baum wrote the first book about OZ that appeared anywhere in the world; it was unique when it appeared. The premise and story were original; he invented and developed the world of OZ, Dorothy, and its other characters, and harmoniously melded them on paper together. The Oz story has become a legend. It's imaginative, thoughtful, and excellently written. For these reasons and more, the Oz book ranks as a quintessential work of creative writing, a consummate work of Baum's fantastic imagination.

Baum's many accomplishments mark him as a creative genius. He not only wrote the many additional works in the Oz series, he wrote a large number of other works in a variety of other genres as well, far too many to mention here. He wrote books, short stories, and other kinds of publications, both fictional and nonfictional.

  • Explore Baum's life. See an exhaustive bibliography of Baum's Oz works and his many other works; see a list of some of the adaptations that his works inspired. Visit the Wikipedia page on his biography titled L. Frank Baum: click here.
L. Frank Baum, author of The Wonderful Wizard of Oz, published 1900

about science fiction

Like Fantasy, Science fiction (SF) is a fictional genre treating imaginative content that does not actually exist in today's real world. Subjects, environments, scenes, and other elements are partly the imaginary creations of authors.

It differs from fantasy in that the subjects, objects, environments, and situations it addresses may consist of futuristic settings, futuristic science and technology, space travel, time travel, faster than light travel, parallel universes, other worlds, and extraterrestrial life, among others. Creatures who participate in actions and events may or may not be intelligent, and may be humans or aliens.

 

 

Science Friction is a relatively new genre, which came about in the 1920s with the rise of science. New science arouse new interest among writers. But it can be traced back a long way??????)

 

 

Modern Science Fiction stories speculate about and explore the workings of mythical worlds constituted and constructed with components, characteristics, and situations such as those just mentioned, worlds that are theoretically possible, at least in the author's imagination, but that do not (or may not) actually exist. They explore and develop the possible outcomes and consequences that might result.

Science Fiction's primary aim is to investigate and understand current or projected real world conditions that are analogues to those imagined by the author. It intermixes mythical or theoretical topics, people, world conditions, lifestyles, and other phenomena that actually do exist today in the real world with theoretical ones in order to strike parallels that illuminate the real world. Thus it's main purpose, emphasis, and focus is on exposing and understanding today's world.

Much Science Fiction is expressly focused on exploring the potential consequences of scientific, engineering, and other technical innovations. Authors commonly found their ideas on actual science that exists today or that may soon exist. They extrapolate current science to future frameworks in which they examine subjects such as future politics, personal identity, desire, morality, social structure, and other typical, conventional literary themes.

But in some cases the personal scientific and technical interests of the author overcome and intervene, causing him to digress from his primary objectives and to dwell overlong on the science in his science fiction. In departing from his central theme and primary objective in this way, SF authors sometimes produce poorly written stories and badly constructed literature.

There are two major fields, styles, or types of science fiction literature: Hard and Soft.

Hard Science Fiction is characterized by rigorous attention to accurate and correct detail in the natural sciences. Writing like this is set especially in the fields of physics, astrophysics, and chemistry. In some cases it's as if the author writes science fiction in order to gain an audience for the science he personally loves and to share it with others. In other cases it's as though the author seeks to capture his reader's interest by telling a good story, but with a hidden agenda. He enlightens his reader about his science because he wants to argue and win a cause and gain his support. Famous hard science creative fiction authors include Isaac Asimov, Arthur C. Clarke, and Hal Clement.

Soft Science Fiction is characterized by stories focused primarily on character and emotion. Writing like this is set especially in the fields of social sciences, and in subfields such as psychology, economics, political science, sociology, and anthropology. It seems that many writers who specialize in soft science fiction prefer to exploit science primarily as a means to tell good stories about engaging topics in interesting settings. Famous soft science creative fiction writers like these include Ursula K. Le Guin, Philip K. Dick, and Ray Bradbury.

Other Soft Science fiction creative writers use science as a means to inform or warn their readers about their own fears and hopes for the future. Utopian and dystopian stories are two noteworthy subgenres of social science fiction that share this aim. Examples of dystopias are George Orwell's Nineteen Eighty-Four, Aldous Huxley's Brave New World, and Margaret Atwood's The Handmaid's Tale.

crossovers

 Satirical novels with fantastic settings such as Gulliver's Travels by Jonathan Swift may also be considered either science fiction or speculative fiction.

 

Although extremely modern, having been invented in the 20th century along with the rise of science, as with Fantasy, SF also goes back a long way. Cite examples.

 

 

Science Fiction literature is similar to Fantasy literature in that it speculates about subjects, people, world conditions, lifestyles, and other phenomena that do not actually exist but are conceived and imagined by the author.

 

 

both are other worlds

 

 

 

 

Thus, at heart the Science Fiction literature domain is actually a combination of fictional and nonfictional elements. It differs from the Fantasy literature creative domain genre in that

objective of

 , and has been called a "literature of ideas".

 

Some creative writers blur the boundaries between hard and soft science fiction. Others blur the boundaries between Fantasy and Science Fiction. Some blur both boundaries. Jonathan Swift's satirical highly creative novel Gulliver's Travels is an example of a highly creative work that blurs both. It has fantastic settings and scientific elements that may be considered science fiction.

about the speculative fiction genre

As already noted, The Wonderful Wizard of Oz belongs to a relatively narrow (but still broad) field of genre writing called fantasy. The even broader field of genre writing that fantasy belongs to called speculative fiction. If fiction is a hotbed for fantasy, it's a steam bath for speculative fiction.

Today, works of fantasy like Oz are usually classified along with science fiction and horror as one of the subgenres of speculative fiction (a.k.a. Spec Fiction).

Fantasies are set in imaginary worlds where magic is common. Although there's a great deal of overlap between these three speculative fiction subgenres, the fantasy genre is clearly distinguished from science fiction and horror by the fact that it steers clear of pseudo-scientific and macabre themes.

Oz exhibits the properties that characterize the fantasy literary genre. The rules of cause and effect that make the story advance are based on magic, not science or horror. It's premise is completely fictional, making it a work that is totally a product of Baum's creative imagination. These properties place it squarely at the center of the fantasy literary genre.

  • Fantasy is a subgenre of the speculative fiction supergenre. Explore the nature of fantasy, horror, and other speculative fiction subgenres at greater length at The Muse Of Literature's feature titled Welcome to the World Of Speculative Fiction Literature: click here.

The Spec Fiction genre is an active field that's still evolving; writers are producing many new and original works. Readers and writers are talking about writers and works and publishers are reacting to what's happening; there's much to discuss.

The speculative fiction genre illustrates how important the role of aesthetic creativity can be in genre writing. Fantasy, science fiction, horror—indeed, all the spec fiction genres—are intensely creative. The Muse encourages you to join the ranks of those active in the field and monitor what's going on.


Welcome to the World of Speculative Fiction literature

Fantasy is a subgenre of the speculative fiction super-genre. So is science fiction. Explore the Speculative fiction genre. The Muse Of Literature welcomes you to the World Of Speculative Fiction, the amazing, sometimes shocking, awe inspiring world of science fiction, fantasy, and related fictional genres.

  • Explore the amazing, sometimes shocking, awe inspiring world of science fiction, fantasy, and related fictional genres. Visit The Muse Of Literature's feature titled The World Of Speculative Fiction: tap or click here

Speculative fiction blog

Embroil yourself in The Muse Of Literature's Speculative Fiction Blog. fantasy, horror, and other speculative fiction subgenres. See what's going on.

  • Get a firsthand view at The Muse Of Literature's blog titled Speculative Fiction: tap or click here

 


 


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